Jim
Hall,
born
in
Buffalo,
and
educated
at
the
Cleveland
Institute
of
Music,
moved
to
Los
Angeles
where
he
began
to
attract
national,
and
then
international,
attention
in
the
late
1950s.
By
1960
Jim
had
arrived
in
New
York
to
work
with
Sonny
Rollins
and
Art
Farmer,
among
others.
His
live
and
recorded
collaborations
with
Bill
Evans,
Paul
Desmond,
and
Ron
Carter,
are
legendary.
Not
only
is
Jim
Hall
one
of
the
jazz
world's
favorite
guitarists,
but
he
has
also
earned
critical
acclaim
for
his
skills
as
a
composer
and
arranger.
The
first
formal
recognition
came
in
1997,
when
Jim
won
the
New
York
Jazz
Critics
Circle
Award
for
Best
Jazz
Composer/Arranger.
His
pieces
for
string,
brass,
and
vocal
ensembles
can
be
heard
on
his "Textures" and "By
Arrangement" recordings.
His
original
composition, "Quartet
Plus
Four," a
piece
for
jazz
quartet
augmented
by
the
Zapolski
string
quartet,
was
debuted
in
Denmark
during
the
concert
and
ceremony
where
he
was
awarded
the
coveted
Jazzpar
Prize,
and
later
released
on
CD.
Most
recently,
he
has
completed
a
concerto
for
guitar
and
orchestra,
commissioned
by
Towson
University
in
Maryland
for
The
First
World
Guitar
Congress®,
which
will
be
debuted
in
June
2004
with
the
Baltimore
Symphony.
The
title
of
the
work,
“Peace
Movement,”
is
indicative
of
Jim’s
desire
to
contribute
to
world
peace
through
his
music.
He
views
music
as
a
way
of
bonding
people
together
and
crossing
barriers,
be
they
barriers
of
geography,
ideology,
religion,
or
other
discriminations.
In
accepting
the
NEA
Jazz
Masters
Fellowship
award
in
January
2004,
he
said,
“The
women
and
men
who
have
received
this
award
in
the
past
have
spread
peace
and
love
throughout
the
world,
something
that
governments
might
emulate.
I
am
pleased
to
be
one
of
the
peacemakers.”
In
addition
to
the
recent
focus
on
orchestral
and
choral
composition,
Jim
remains
active
as
a
player,
working
and
recording
with
a
variety
of
ensembles
all
around
the
world.
In
addition
to
working
with
his
trio,
Jim
likes
to
spice
up
the
mix
with
various
guests.
From
time
to
time
you
might
hear
Joe
Lovano,
Greg
Osby,
the
New
York
Voices,
Kenny
Barron,
Pat
Metheny,
Slide
Hampton,
and
others,
working
for
a
night
or
two
with
Jim's
groups.
In
fact,
several
of
these
guests
can
be
heard
on
a
live
recording
titled "Panorama.”
On
occasion,
these
alliances
lead
to
more
intensive
collaborative
projects
such
as
the
“Jim
Hall & Basses”
recording
featuring
Scott
Colley,
Charlie
Haden,
Dave
Holland,
George
Mraz,
and
Christian
McBride,
and
the "duets" project
with
Pat
Metheny.
Jim’s
latest
project,
an
as-yet-untitled
CD
featuring
the
Jim
Hall
Trio
with
Scott
Colley
and
Lewis
Nash,
will
be
recorded
live
at
the
Village
Vanguard
in
New
York
City
at
the
end
of
April
2004.
Jim’s
new
website
(www.jimhallmusic.com)
enables
him
to
share
with
his
audience
a
personal
view
of
his
creative
process,
in
addition
to
the
finished
product.
Via
the
web,
audiences
can
participate,
not
just
by
purchasing
the
new
CD,
but
by
‘being
there,’
behind
the
scenes,
so
to
speak,
witnessing
Jim
prepare
for
a
project,
meeting
the
players,
hearing
the
outtakes,
and
more.
Some
years
ago,
Guitar
Player
magazine
quoted
Jim
as
saying "I
do
feel
good
about
my
playing.
The
instrument
keeps
me
humble.
Sometimes
I
pick
it
up
and
it
seems
to
say
`No,
you
can't
play
today.'
I
keep
at
it
anyway
though." Jim
and
his
wife,
Jane,
who
is
both
a
psychoanalyst
and
a
songwriter,
live
in
New
York
City’s
Greenwich
Village
with
their
dog,
Django.
This
bio
was
excerpted
from
“Sketches
from
PROS
Folios:
Jim
Hall”
by
Devra
Hall,
and
permission
is
granted
for
its
use
in
program
books
and
promotional
materials.
Whenever
possible,
please
include
an
author’s
credit.