"Listening is still the key." - Jim Hall
Jim Hall, born in Buffalo, and educated at the Cleveland Institute
of Music, moved to Los Angeles where he began to attract national,
and then international, attention in the late 1950s. By 1960 Jim
had arrived in New York to work with Sonny Rollins and Art Farmer,
among others. His live and recorded collaborations with Bill Evans,
Paul Desmond, and Ron Carter, are legendary.
Not only is Jim Hall one of the jazz world's favorite guitarists,
but he has also earned critical acclaim for his skills as a
composer and arranger. The first formal recognition came in 1997,
when Jim won the New York Jazz Critics Circle Award for Best Jazz
Composer/Arranger. His pieces for string, brass, and vocal
ensembles can be heard on his "Textures" and "By Arrangement"
recordings. His original composition, "Quartet Plus Four," a piece
for jazz quartet augmented by the Zapolski string quartet, was
debuted in Denmark during the concert and ceremony where he was
awarded the coveted Jazzpar Prize, and later released on CD.
His most recent large-scale composition was a concerto for guitar
and orchestra, commissioned by Towson University in Maryland for
The First World Guitar Congress®, which was debuted in June 2004
with the Baltimore Symphony. The title of the work, “Peace
Movement,” is indicative of Jim’s desire to contribute to world
peace through his music. He views music as a way of bonding people
together and crossing barriers, be they barriers of geography,
ideology, religion, or other discriminations. In accepting the NEA
Jazz Masters Fellowship award in January 2004, he said, "The women
and men who have received this award in the past have spread peace
and love throughout the world, something that governments might
emulate. I am pleased to be one of the peacemakers."
In addition to the recent focus on orchestral and choral
composition, Jim remains active as a player, working and recording
with a variety of ensembles all around the world. In addition to
working with his trio, Jim likes to spice up the mix with various
guests. From time to time you might hear Joe Lovano, Greg Osby, the
New York Voices, Kenny Barron, Pat Metheny, Slide Hampton, and
others, working for a night or two with Jim's groups. In fact,
several of these guests can be heard on a live recording titled
"Panorama." On occasion, these alliances lead to more intensive
collaborative projects such as the "Jim Hall & Basses" recording
featuring Scott Colley, Charlie Haden, Dave Holland, George Mraz,
and Christian McBride, and the "duets" project with Pat Metheny.
Jim’s latest project, "Magic Meeting," a CD featuring the Jim Hall
Trio with Scott Colley and Lewis Nash, was recorded live at the
Village Vanguard in New York City at the end of April 2004. Jim’s
new website (www.jimhallmusic.com) enables him to share with his
audience a personal view of his creative process, in addition to
the finished product. Via the web, audiences can participate, not
just by purchasing the new CD, but by 'being there,' behind the
scenes, so to speak, witnessing Jim prepare for a project, meeting
the players, hearing the outtakes, and more.
Some years ago, Guitar Player magazine quoted Jim as saying "I do
feel good about my playing. The instrument keeps me humble.
Sometimes I pick it up and it seems to say 'No, you can't play
today.' I keep at it anyway though." Jim and his wife, Jane, who is
both a psychoanalyst and a songwriter, live in New York City’s
Greenwich Village with their dog, Django.
This bio was excerpted from "Sketches from PROS Folios: Jim Hall"
by Devra Hall, and permission is granted for its use in program
books and promotional materials.
OGRAPHIES
Jim Hall Biography (short)
Short format for promotional use.
Jim Hall Biography (long)
Long format for promotional use.
Jim Hall Official Discography, Videography, and Bibliography
A list of Jim Hall recordings, videos, and print materials
from the 1950s to the present. This downloadable pdf file was
compiled by Devra Hall.